CHOOSE PLACEMENT
Room Acoustics
If you are critical about low-frequency response, there’s quite a bit of useful experimentation you can do,
especially in combination with the crossover, level, and phase controls of the PULSE SUB.
Begin by considering the size of the listening room. The larger the volume of air a speaker must move, the
more acoustic output is required to achieve the sound levels you want. In smaller rooms, sound attenuation
tends to be offset by reinforcement from wall reections. In larger spaces, sound has to travel to reach the
reecting surfaces and then to your ears, which means it has to be louder to begin with.
After size, the most important aspect of a listening room is its shape. In any room, sound reects off the walls,
ceiling, and oor. If the distance between two opposite parallel surfaces is a simple fraction of the wavelength
of a particular frequency, notes of that frequency will bounce back and forth in perfect phase – an effect
called a standing wave or room mode. At some point in the room, this note will be reinforced substantially;
at others it will cancel out almost entirely. If the prime listening seat is placed at either of these locations,
the note will be a horrible boom or virtually non-existent. Almost all rooms are susceptible to some standing
waves at low frequencies, but careful positioning of the speakers and the listening seat can minimize the
effects. The only way to nd out what works best is by experimentation. Positioning of a bass speaker has
almost no impact on imaging, so the PULSE SUB can be positioned almost anywhere.
Subwoofer Placement
The loudest bass output from a subwoofer comes from corner placement. The outward aring of walls from a
corner focuses low frequencies, giving them no place to go but toward the listener.
If you are seated in a null spot where sound from the PULSE SUB is cancelled or diminished by out-of-phase
reections, you will have to move either the subwoofer or your listening position until you get the desired
bass. Adjusting the phase control 180 degrees may make a difference, especially if the null is a product
of cancellations caused by interaction with low frequencies from your main speaker(s). If the opposite is
happening, where direct and reected bass waves converge in phase and produce too strong a peak at your
listening position, you can change position or change your sub’s level control (or possibly the crossover
frequency chosen).
The best method for positioning the PULSE SUB is to put the PULSE SUB in your listening chair, then play
music with lots of bass through the system (something with steady low frequencies or continuous test tones).
Move around the room and note where the bass sounds best; if you place the PULSE SUB in that location,
you should get the same bass performance. This test only works if you have your ears at the same height
as where the PULSE SUB will be, so you may have to get down low. A recommended starting point for the
placement of the PULSE SUB would be in either of the front corners of the room.
Multiple Subwoofers—Why Two Subs Are Better Than One
Sometimes the listening room is not conducive to achieving satisfying amounts or quality of bass. There are
rooms with troublesome dimensions, especially those that are more cubical. In such a case, two subwoofers
placed carefully to work with each other are recommended to handle acoustical anomalies. This can also be
applied when the problem is too much, or too uneven, bass. The overall system benets from each subwoofer
correcting the acoustic problems caused by the other.
A very good starting point for positioning two subwoofers is to place one each on the centre of opposing walls.
Experimenting with positioning as previously described should be used for determining the location of the
second subwoofer, except in this instance one is listening for the minimum amount of bass output.
When adding a second subwoofer you need to reduce the volume on both models by 3DB or “1” position in
the volume slider.
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