Handleiding Behringer VMX1000USB (pagina 5 van 13) (Engels)

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ENGLISH

PRO MIXER VMX1000USB User Manual

ENGLISH

PRO MIXER VMX1000USB User Manual

Control Elements2.

Fig. 2.1 Front view of the PRO MIXER VMX1000USB

Never connect equipment with line level signals to ◊

the highly sensitive phono inputs! The output signal

level of turntables is on the order of magnitude of

milivolts, while CD players and tape decks have signal

levels measuring in volts. Simply put, line signals are

up to 100 times stronger than those intended for

phono inputs. If you’re using phono inputs that can

be switched into line level (see

{ 36 }), always make sure

that the PHONO/LINE switch is in its correct position

(switch pressed!).

The

[10] GAIN control is used to set the level of the input

signal. The display

{ 13 } reads oﬀ the current signal level.

Every input channel features a 3-band equalizer (

[11] HIGH,

MID and LOW) with kill characteristic. This way, a signal

can be lowered (-32 dB) much more than it can be

increased (+12 dB). For example, this function is useful

when you need to suppress a particular frequency range

in a music track.

The overall signal level is also dependent on the

◊

EQ settings. You should ﬁrst adjust the EQ before

adjusting the signal level.

By using the

[12] EQ BYPASS key, you can deactivate the

3-band equalizer. This way, you can easily compare

the processed and the unprocessed signals with one

another; or, you can alternate between extreme EQ

settings and the “raw” signal, creating cool eﬀects.

You can read oﬀ the level of input signals (post EQ) using

[13]

the 4-digit LEVEL meter.

Determine the channel volume using the

[14]

60-MM cHANNEL fader.

Pressing the

[15] PFL key routes the respective input so that

it can be monitored on the headphones (corresponding

LED is lit). You can also dial up several channels and

listen to them simultaneously (see also chapter 2.4

“HEADPHONE section”).

MAIN OUT section2.3

The [16] VOL 1 control is used to adjust the output volume on

the MAIN 1 output (see

{ 41 }).

The

[17] VOL 2 control is used to adjust the output volume on

the MAIN 2 output (see

{ 46 }).

To adjust balance on the MAIN 1 output, use the

[18]

BAL 1 control.

You can read oﬀ the MAIN 1 audio signal volume level on

[19]

the LEVEL MEtEr.

The

[20] POWEr switch powers the PRO MIXER on. You should

always make sure that the POWER switch is in the “Oﬀ”

position when initially connecting the unit to the mains.

Please take note: Merely switching the unit oﬀ does

◊

not mean that it is fully disconnected from the mains.

When not using the unit for prolonged periods of time,

please unplug the unit’s power cord from the

power outlet.

Always turn the power amps on last to avoid inrush

◊

currents that can easily damage your speakers. And,

to avoid sudden and unpleasant surprises for your

ears, make sure there is no signal at the PRO MIXER

before turning on the power amps. To be sure, slide all

the faders to the bottom and switch all controls to the

zero position.

HEADPHONE section2.4

The PFL signal is your headphone signal used to monitor

music without inﬂuencing the MAIN signal (PFL = Pre

Fader Listening).

This is the unbalanced

[21] PHONES connector for your

headphones. Your headphones should have a minimum

impedance of 32 Ohms. For example, the BEHRINGER

HPX2000 headphones are ideally suited for this purpose.

If the

[22] MODE switch is in the “SPLIT” position, the PFL

signal is on the left, and the MAIN signal is on the right.

The MIX control (see

{ 23 }) has no function in this case.

While in “STEREO” mode, you can alternate between

MAIN and PFL signals using the MIX control.

When in “S

[23] TEREO” mode, use the MIX control to

determine which signal is heard on the headphones.

When MIX is in its left-most position (PFL), you can only

hear the headphone signal selected previously using

the PFL keys of the input channels (see

{ 15 }). When MIX is

in its right-most position (MAIN), you can only hear the

MAIN audio signal. Placing the MIX control somewhere

in between those two extreme positions determines the

volume ratio of the two signals. If the MODE switch is

in its “SPLIT” position (see

{ 22 }), the (PFL) MIX control has

no function.

The

[24] VOL control determines the volume of the

headphone signal.

2.5 XPQ 3D surround function

The XPQ 3D surround function is a built-in eﬀect that

gives your music a nice ﬁnishing touch, making every

performance truly memorable. By widening the stereo

base, the sound comes through more alive and transparent.

Using the XPQ ON switch

{ 25 } activates the XPQ 3D surround

function (corresponding LED is lit) and the XPQ control

{ 26 }

determines the intensity of the eﬀect.

Eﬀects loop2.6

Using the [27] rEt control, you determine the volume of the

eﬀects signal that can be brought in at the RETURN input

on the rear (see

{ 49 }). To get the eﬀects signal, you need to

connect the inputs of an eﬀects unit to the SEND outputs

(see

{ 48 }) of your VMX1000USB. The outputs of the eﬀects

unit are then connected to the RETURN inputs of your

mixer.

Microphone channels2.1

These are the balanced XLR connectors for dynamic [1]

microphones.

Using the 3-band microphone equalizer (

[2] HIGH, MID

and LOW), you can change the sound of your voice and

optimally adjust it (+/-15 dB).

The

[3] AUX control adjusts the volume of the MIC AUX send

signal laid out at the rear panel MIC AUX SEND connector

(see

{ 38 }).

Use the

[4] VOL control to adjust the microphone signal

volume.

Your PRO MIXER features a talk over function. It works very

simply: as soon as you talk into your mike while a track is

playing, the track’s volume is lowered. When talking to the

audience, this function is useful because it makes your voice

come through over the music.

Use the

[5] tALK key to activate the talk over function

(its LED is lit).

The

[6] SENS control changes the sensitivity of the talk over

function. The lower it is set, the louder does the mike

signal need to be in order to suppress the music signal.

Use the

[7] DPt control to determine the extent to which the

music signal is lowered.

Use the

[8] MIc ON switch to activate the microphone

channel. If its LED is lit, the channel is active.

Stereo channels2.2

Select the input signal for the stereo channels using [9]

the INPUt key. “Phono” is intended for connecting a

turntable. “Line” and “CD” have to be selected for all

other signal sources (e. g. CD or MD players). Unlike

the ﬁrst three channels, channels 4 and 5 each feature

two line inputs. On the rear panel, a special feature lets

you change the input sensitivity of the phono inputs of

channels 1 through 3 to line level, so that you get more

ﬂexibility (see

{ 36 }). Audio sent from a computer to the

VMX via USB cable is routed to channel 1. This signal is

mixed with the LINE input.

Behringer VMX1000USB Handleiding

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